Here is a fantastic Magical Realism infographic listing the main conventions of the genre. Share it for free with your students.
Origins and Influences
Magical realism in literature is rooted in Latin American authors like Gabriel García Márquez and Isabel Allende, who popularised the genre in the mid-20th century. However, its influence quickly spread to theatre, where the visual and auditory possibilities could bring magical elements to life in real time. While not confined to any one geographic location, the spirit of magical realism in theatre often carries the influence of its Latin American origins, reflecting on colonialism, identity, and the juxtaposition of the modern world and ancient cultures. Magical Realism in theatre represents the intersection where the boundaries of reality and fantasy blur, creating a unique narrative style that captivates audiences with its blend of the mundane and the fantastical.
Magical Realism Infographic
Key Characteristics
Seamless Integration of the Magical
At the heart of magical realism is the seamless integration of magical elements into a realistic setting. In theatre, this requires innovative staging, lighting, and sound design to make the impossible appear mundane. The audience is expected to accept the supernatural as part of the characters’ everyday lives, without the need for explanation or rationalization.
Rich Symbolism
Magical realism is dense with symbolism, often using magical elements to explore complex themes such as love, death, power, and transformation. In the theatrical context, symbolism can be expressed through dialogue, but also visually through costumes, sets, and props, creating layers of meaning for the audience to unravel.
Political and Social Commentary
Many works of magical realism serve as allegories for political or social commentary, subtly critiquing the status quo. In theatre, this allows playwrights to address sensitive issues indirectly, using magic as a buffer to soften the blow of direct criticism.
Time and Space Fluidity
The fluidity of time and space is a common trope in magical realism. Theatrical productions may employ non-linear narratives, flashbacks, or even break the fourth wall, challenging audiences’ perceptions of reality and encouraging a more active engagement with the narrative.
Magical Realism in Theatre
Magical realism challenges both creators and audiences to reimagine the boundaries of reality. For playwrights and directors, it offers a canvas to experiment with narrative structures, staging, and the visual language of theatre. For audiences, it provides an immersive experience that can be both disorienting and enlightening, opening up new pathways for emotional and intellectual engagement.
Notable Examples
“The House of Bernarda Alba” by Federico García Lorca
While not traditionally categorized under magical realism, Lorca’s use of symbolism and allegory prefigures many of the genre’s characteristics. The oppressive atmosphere of Bernarda Alba’s house, combined with the symbolic use of color and space, creates a setting where reality is heightened and the presence of the supernatural is felt, if not seen.
“Marisol” by José Rivera
Rivera’s “Marisol” is a quintessential example of magical realism in theatre. Set in a post-apocalyptic New York, angels join the fight against a senile God, and the protagonist navigates a world where the miraculous and the mundane collide. The play’s blending of the fantastical with the brutal realities of urban life showcases the power of magical realism to comment on contemporary issues.
“Electricidad” by Luis Alfaro
Alfaro’s Chicano adaptation of the Greek tragedy “Electra” is set in a gangland Los Angeles, where the mythical and the modern intertwine. “Electricidad” exemplifies how magical realism in theatre can breathe new life into ancient stories, making them relevant and resonant for modern audiences.
Download Magical Realism Infographic
As this website serves images in WebP format, download the PNG as a Zip file and open it on your desktop.
Feel free to use this infographic in your classroom. The DramaTeacher.com is already attributed to the infographic. If you print it at your school or workplace, it may not look as professional as at a print shop. However, it is conveniently designed to print at A3 without pixelation or white spaces and should look good on a classroom wall. If you have ever tried to print a regular infographic before, you will probably appreciate that this one is designed in landscape and will look fine in either A4 or A3 size. Alternatively, you could distribute it to your students digitally.