Vignette In Performance
Students of drama occasionally come across the need to script and perform one or more vignettes. Sometimes this may be a task given to them by their teacher or even a component in a formal external performance examination. The concept of a vignette in the theatre is relatively simple, yet there is little written on the vignette for a student of theatre to research. This post aims to clarify what constitutes a vignette in performance.
Etymology: Old French, 18th century, diminutive of vigne (vine), meaning “little vine”.
Definitions:, 1) A short scene in a movie or play. 2) A brief evocative description, account or episode. 3) A short piece of …acting that clearly expresses the typical characteristics of something or someone. 4) A short scene or incident.
Origins: The vignette has its origins in many forms, including literature (brief narratives), graphic design (decorative page designs of leafy vines in novels), photography (loss of clarity near the edges of an image), psychology (brief description of an event) and the theatre (short scenes). Vignette has even been used to describe an image that is smaller than the original version.
Style: A series of vignettes presented in quick succession could be a number of small scenes on a single theme, concept or idea. Alternatively, the history of Vaudeville consisted of stage entertainment that typically comprised a number of very different scenes, often referred to as vignettes. Sketch comedy also consists of vignettes, with each small scene representing a different event or situation. A vignette in a school drama performance may have its own character, setting or mood, differentiating it from another vignette that precedes or follows it, yet all vignettes in a sequence could be unified by a single theme.
Key Elements: Keywords from this post that may enable a student of theatre to better understand the term ‘vignette’ in a dramatic context at a glance are:
- short
- brief
- small(er)
- evocative
- description(ive)
- episode
- incident
- event
- situation
- setting
- mood
- character
- theme
- concept
- idea
Dear Justin, first of all a huge thanks for your hard work. Your site has been a great source for me and I really appreciate what you’re doing.
Is it possible to add a source to the theatrical definition of vignette? Also could you define action blocks in terms of theatre? It would be much appreciated.
Hi Nawser, thanks for your kind feedback!
Mmmmm…I did write this post a while back. I don’t recall any single source for the information. I Googled the etymology of vignette. I recall sourcing several online dictionaries to compile the 4 short definitions of the word. Looks like I may have done a bit of Wikipededia-ing, too, but the content of this source would have altered multiple times since I wrote the post. In retrospect, I see the pages listed here may have been sourced to write the article, as it was only a brief post: https://en.wikipedia.org/wiki/Vignette. Sorry, I can’t help you any more with this.
As for action blocks, my understanding is action blocks are what I refer to as physical stage directions to my students in drama class – those that describe physical movement in the stage directions in parentheses in a script.
A little help from A.I. on this one reveals:
Action blocks refer to the physical movements and gestures made by actors during a scene or play. Action blocks are an important aspect of stage direction and can help convey the emotions and intentions of a character to the audience.
Action blocks can include a wide range of movements, from simple gestures like pointing or nodding, to more complex actions like dancing or fighting. They can also involve the movement of props, set pieces, or other objects on stage.
Action blocks are typically included in the script of a play or provided by the director during rehearsals. They are often indicated in the script with stage directions in parentheses, which describe the actions the character should take. For example, a stage direction might read “(crosses to the window)” to indicate that the character should move across the stage to the window.
The three paragraphs, above, did not come from a single source but from a vast array of online sources in the A.I. model’s database.
Hope this helps, Nawser. – Justin